Flame of Consciousness

Stretching out ahead

Vast narrow wind

Stringy path – goat tracked

Grass matted like my hair at the back when I can’t be bothered to comb.

Poke holes in soil

Dampness

Dew in the morning on the “washing” line

Granted

I’m an adder, swishing through, coiling up

Slow worm

Slow wyrm

A letter and I have wings and claws and

legend gold

Fear inciter (twisted)

Blowing up bin-breath

Antisocial hoarder of things that mean different to me.

A magpie value

Scrooge McDuck Dragon whip my tail and yawn, as you creep past me

Heart pounds

My great yellow eye pierces your body,

Drop in fear and I make you dance, twirling dolly with scaled fingers,

Black glinting talon twirls.

Scar in the lair – you can be Rowan Atkinson’s blue bird

Music I’ve been loving lately – Syd and Ray Blk

I just thought I’d share a post about some of the music I’ve been listening to lately, I tend to revolve in the same musical space for quite a while because I just get so happy existing there. Also, just a note, I write about two artists here, but I give them quite unequal word time, that’s for no real reason, other than the fact that I’m just quite unmeasured and if it flows for longer then I just let it 🙂 .

Listening to new artists, although exciting, is not always something I’m in the mood for. It’s a bit like starting a new TV series, having to get to know all new characters and story-lines etc. I like to find media I wash myself in to be of comfort, that’s why I like familiarity a lot of the time, or perhaps I’m a bit lazy in this department.

I have to be in a very particular mood to start listening to a new album for example.

Anyway, I’m rambling. Let’s go:

  • Syd’s most recent album – Fin

I love Syd’s vocals, attitude and stage presence – she oozes sex appeal for me and makes music that I want to move to. Her music could so easily be the soundtrack to eye-fucking someone on the dance-floor, letting the darkness and the drink make you liquid.

I particularly like Dollar Bills, Know, Body and All About Me.

It’s such a smooth album, that really wraps you up in it.

  • Ray Blk’s – Durt

I keep coming back to Ray Blk – I first heard her sing 5050 and it just made me look for more of her work. It just sounded like it might have been some old classic that I was failing to recognise and I was surprised to find it was an original song – I’m not sure what felt familiar about it, but the point is – I loved it.

I love her candour. And the emotion she conveys so gracefully in her voice, I find the content of a lot of her songs to be so touching and real.

My favourite songs from “Durt” are My Hood and Gone (which features Wretch 32) – Chill Out is also so listenable.

Talk To Me and 2am are also great tracks that I listen to on repeat.

Her voice is so expressive of pain and sometimes bleakness, but she combines it with touches of lightness and humour. Her references to pop-culture really make them real by setting the lyrics in time, the details paint such a vivid image for me.

The first verse of 2am shows that detail perfectly:

 ” […] no no, cartoons on the telly,

cold spaghetti in my belly.

I laugh loud, nobody can hear me,

Zoidberg, Carlsberg, I’m feeling merry”

I appreciate the rhymes and half-rhymes and the lonely picture she paints with humour. That clarity of bringing the scene to life, I think, is a real skill.

Also, I love it in Talk To Me when she says “Hope you hit it last, Kanye not Ray J” – I find it really beautiful and candid, by using this image – she expertly avoids cliche and to be honest, it kinda gets my heart a bit. On top of that, as in a lot of her songs, the pace of her deliverance propels things forward so pleasantly and with such great rhythm.

Candour, honesty and directness are things I admire and love to hear so much in music, the personas in her songs speak a kind of truth I find really emotive, she shows us so many things at once, her vulnerability, her sexuality and her drive, as well as her creativity in expressing those feelings.

I just love her story-telling basically and the effortlessly cool frame in which she places it, and now I’m gonna stop gushing, it’s feels a bit out of character, haha.

I just love hearing complex female voices in music and Ray Blk and Syd, I feel, give us just that.

H